IAMA Art Museum in San Francisco
H.H.第三世多杰羌佛書法 H.H. Dorje Chang Buddha III- Calligraphy (The Chinese character “fo,” which means “Buddha.” 佛)
H.H.第三世多杰羌佛書法 H.H. Dorje Chang Buddha III- Calligraphy (The Chinese character “sheng,” which means “holy.” 聖)
From ancient times to the present, no product of an art or field of study has been able to reflect a person’s moral character and knowledge---except for calligraphy. The aura created by a person’s achievements or creations in a certain form of art or field of study often covers up his shortcomings in knowledge and character. However, calligraphy is an exception to this rule. Calligraphy is like a three-dimensional projecting mirror. The depth of one’s knowledge, the level of one’s moral character, and the strength of one’s mind are revealed through each stroke of the brush. There is no way to conceal such things. When looking at the quality of a person’s ordinary writing of Chinese characters, most people can discern the level of that person’s education. This is all the more true with respect to looking at a person’s calligraphy.
古往今來,任何藝術或學科及其發明,都反映不了一個人的德品和學識,但書法卻不然。而一個人在某一門藝術和學科或發 明上的成績所營造的光環,往往會遮蓋他在學識和人格上的缺失,但是,唯書道除外。書法,就像是一面立體透射鏡,學問的深 淺、德品的高低、心智的健弱,都在一筆一畫的運走中展露,無以遁形。且不說書法,就只是普通寫字的好壞,對於一般人,也 能看出他的文化水準如何。展觀史論,從古至今找不到哪一個不具學識的人可以在書道上有所建樹的。學識淵博不一定精具書 道,但大書家必是學問書風雙胞共存。尤凡歷代書道大家,無一不是出於淵深學識之文學巨匠。如古有王羲之、懷素、何紹基、 張懷瓘、岳飛,近有于右任等,個個都是學富五車的大文學家,道德文章之楷模。
拜讀三世多杰羌佛筆下的『聖』字,則又是柔剛相並,內力藏秀,外放雅韻。而『佛』字時,可謂名副其實,真 正達到了古人論書功力之頂峰『傲雪松枝萬古痕,筆力能抗千斤鼎』。
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